Modern Artists Gallery

Kate Kessling

Click on thumbnails below for full details and enlarged images.
 

LIBRIS GRAPHITE  46x63cm
LIBRIS ROSE 87x85x7cm
LIBRIS MACHINE GREY  90x90x7cm
LIBRIS PANTONE PINK  47x57x8cm
LIBRIS MORRIS GREEN 47x57x8cm
LIBRIS PANTONE GILT  47x57x8cm
LIBRIS GREENGAGE 47x59cm
RILEY'S
ROUND THE HORNS
COW IN THE NIGHT TIME
DEER SKULL CUT OUT HEAD
TAKE THE BULL BY THE HORNS
SKULL WITH HORNS
TAKE THE BULL BY THE HORNS  91x61cm
BUFFALO GALS
SKULL WITH HORNS
STAR BUCK
DEER SKULL CUT OUT HEAD
HUNTING TIGERS IN INDIA
CYANOMETER
DOT MATRIX SERIES
DOT MATRIX SERIES
THE FARMER NEEDS A WIFE
THE FARM SET
THE CHICKEN LADY
THE HUNTER
COW IN THE NIGHT TIME
GREEN BULLOCK
PRIZE BULLOCK
NEVER MIND THE BULLOCKS
COCK AND BULL
MAGIC ROUNDABOUT - temporary image
LIQUORICE WITH BUTTONS
ALL THING BRIGHT
SPOT PRINT
SKY BLUE PINK WITH LIQUORICE AND GUINEA PIG
SKY BLUE PINK 2
PINK AND GREEN
GUINEA PIG TEA TIME
BULLS EYE
ALL THE SINGLE LADIES
COWBOYS AND INDIANS
VILLAGE PEOPLE
PEDESTRIAN CROSSING
ZEBRA CROSSIING
PELICAN CROSSING
LOTS OF LITTLE BRITAINS
LITTLE BRITAINS ON SAFARI SEE A ZEBRA
LITTLE BRITAINS ON SAFARI SEE AN ANTELOPE
SIX ANIMALS
PARK LIFE
LITTLE BRITAINS
PELICAN CROSSING LOTS OF LESS ANIMALS
BRIGHTON FORTY
NOUGHTS AND CROSSES
BOBBIN ALONG 2
FREE SATURDAY
FORTY NOUGHTS
BUTTONS FOUR DOWN
BUTTONS IN A ROW
LOTS OF BUTTONS
THREES
28 LINES
36 GUINEAS
BUTTON MOON
BRIGHTON ROCKS
ONE HUNDRED AND FIFTY YEARS PEWTER/OAK
TWO HUNDRED YEARS DARK GREY
TWO HUNDRED YEARS VENETIAN RED
TWO HUNDRED YEARS RED
MODERN ARTISTS GALLERY IMAGE
ON EARTH NOT ON EARTH
TED

 

Kate Kessling

DECEMBER 2017 - JANUARY 2018


 


 

Kate Kessling trained at Goldsmiths College in the late 1980's, followed by an MA through the British Council at Poznan Academy of Art.

 

Kate Kessling’s work is conceptual, and uses a wide range of found objects as a route into mark making and to create rhythm and repetition. 

The new Paper Assemblage series consist of reams of paper, perfect bound using traditional book binding techniques. Each piece is made from over one thousand leaves of paper, stacked with the pages, rather than the spines, turned outward, this forming a striated surface in which colour pigments, paints and waxes are applied in bands.






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